This sound awfully promising. And given how horrible algae blooms are getting due to global warming, it’s about time they were used for something other than killing other marine life.
The dark truth behind Pokémon.
I looked forward to watching this, the moment the first trailer popped up. And while it wasn’t a über-blast, it was funny, witty, and satirical, and it fulfilled every expectation I had of it.
The satirical nature is seen throughout the film, making fun of tropes and clichés of the entertainment industry…and in fact, any form of entertainment. The first bit already made fun of the idea of prophecies and having ‘chosen ones’, a mockery of the ideal hero concept, where they take an unknown who was picked by a higher power to fulfil a great role.
Then there was the poking of modern living, where we all do the same things as society demands of us. Maybe it doesn’t apply as much to the US, but it’s a brilliant reflection of Singapore. We study to get a degree, we get a degree to get a job, and we get a job for money to get the 5Cs and whatnot. It’s all very orderly, very regimented. There’s no real environment for creative expression, but we can legitimately claim to be fairly successful; a premise of the movie, where order is prized over creativity, as that is how things should be, and what makes things work.
Of course, it wouldn’t be mocking modern culture if it didn’t make fun of Starbucks and their overpriced drinks, as well as pop culture and the TV industry (which, to be fair, is pretty spectacular in the US; Singapore TV? Pshaw). Then, as expected, there’s the whole 1984, Big Brother reference, with cameras watching everyone’s movements.
And that was just to set things up. When Lucy showed up, it gave Emmett the opportunity to gush over her. Which I took to be referencing the lack of strong female leads that aren’t known for their beauty. Emmett became the stereotypical heroine, swooning over the opposite sex. Lucy was the stronger character, and it’s nice to see a female character that’s not shallow. And a male lead being generally useless; that’s also pretty rare 😉
The movie also makes fun of how convenient things can happen for protagonists in all forms of entertainment, making Batman the tsukkomi as first the pirate ship rescued them from the middle of the ocean, then the Millennium Falcon popped up to ‘give’ them a hyperdrive. It’s pseudo 4th wall breaking stuff, and that’s brilliant.
Of course, there are some other moments like Bad Cop drawing Good Cop back on himself, a well-tread road (along with the good-cop-bad-cop routine itself); plenty of bad guys find their humanity in the end. Also, when Vitruvius died, he died before giving his message; another arrow at the cliché of a last message delivered at deathbed. When he said he made the prophecy up, it was like a huge nod to those who realised the mocking nature of the film.
Then there are the numerous references to other characters from other worlds, thanks to the Lego toys covering the spectrum of them. Batman pulled out that famous quote that Commissioner Gordon used; Vitruvius came back as a ghost mentor, in a homage to Obi-Wan Kenobi; Lord Business had his super stilts built with each step, like Iron Man; and the robot workers were Terminators, which of course then refer to Lord Business as SkyNet. Vitruvius was even a hipster, claiming to have liked Emmett before he was cool.
Beyond the fun and the satire, there’s also the emotional aspect. It’s not the best scripted, but it tugged at the heartstrings a little, as the entire movie was effectively an allegory for the controlling nature of a father who wants his perfect Lego world, which stifles his son’s creativity. And it’s what we sometimes see in the real world, with Tiger Moms and Dads.
Education should be helping children build a platform to express their talent and creativity, not to stifle it in the bid for good grades, degrees and a cushy job. Let the children be explore their potential.
Looking deeper, we can also see the aversion people have of socialist ideas. This may seem contradictory after all that I’ve said about expressing oneself and individuality, but socialism isn’t Communism. When they had to find a way into the tower, Emmett convinced them all to work together. That’s the key; society can have creative individuals expressing themselves, but there should be an overarching goal for everyone to move towards, a goal towards the betterment of humankind.
Other than the deeper implications behind such a cute film, what really won me over was the self-awareness of the film. The characters and the settings were unashamedly Lego, and that fact was referenced overtly and implicitly. Every plot device they pulled was done in such an obvious way, it was clearly meant to make fun of the device itself. That Emmett saw the world above and beyond his, was another moment of self-awareness.
I’m so glad this is getting a sequel.
I get it. Plot twists are in vogue no matter when or where they are applied.
BUT SERIOUSLY? THIS IS WHAT YOU CAME UP WITH, KISHIMOTO-SENSEI?
Black Zetsu, the will of Madara, is now the will of Kaguya? Betraying Madara and killing him? Oh, and Madara went down like a pussy, despite having just owned the crap out of every single ninja in the world? I’m surprised Madara didn’t have the ability to just phase the hell away.
Betrayal as a plot twist is perfectly acceptable, but this execution? Utter crap. Madara was made über broken by you already, and now he’s taken out so easily? I call bullshit.
Next thing you know, Madara helps the protagonists to fight a manifestation of Kaguya, who gets ‘revived’ through Black Zetsu. Then he dies a hero’s death, having been the ‘saviour of the world’ as he claimed so emphatically right before he got stabbed through the heart. Redemption, death for a former baddie, and the world saved. How perfect and convenient.
And the worst part about all this? I’m actually expecting the above to occur. Ever since the reveal of Kaguya as the mother of the Rikudō, and probably even more powerful than him, it’s now obvious that she’s going to be the final boss of final bosses. And it’s happening. For real.
Also, Naruto acting silly despite the world about to collapse. And Sakura being sensitive to Sasuke being insensitive. Team 7 back together with their old dynamics. How quaint. How STUPID.
Well, that’s a pretty accurate summary of the state of Singapore. Perfectly crafted for the modern world by one party, with whom a majority of Singaporeans entrust the country to wholeheartedly. A rash of First-World-Problems have decreased the support, but not enough to see them ever going out of power any time soon.
Do we have an identity? That’s a question that’s often pondered, and never really answered. There’s no singular defining thing about Singapore other than its efficiency, its modernity. Culture? History? Traditions? We’re a melting pot that didn’t combine the myriad cultures of the different races together; we forced the modern world upon every culture. Can we really expect to have a proper identity after that, beyond calling ourselves ‘Singaporean’?
Oh well, with Western ideals imprinted into our minds as the best sort of thinking, individualism rules. And who needs an identity binding the citizens of Singapore together, when we can be prosperous individuals living on an island nation with everything one could want in a modern lifestyle?
Taking conservatism to a whole new level. Or is that the actual level of conservatism in a majority of Asian countries, and Singapore’s the exception?
Sigh. Ignorance is bliss. I wish I never knew of these things, so I can live my happy, sheltered life here without feeling incredibly sad for the sorry state of affairs in countries all around the world.
This is really happening, isn’t it? At this point, I’m going to have to contradict my own beliefs against violence, and just demand for the world to invade Sudan and reform their insane laws. This is beyond appalling.